Dr. Picart is the Series Editor of the Fairleigh Dickinson University Press Series on Law, Culture and the Humanities (co-published with Rowman and Littlefield), and has been recently featured as an author on the Fairleigh Dickinson University Press website.

Caroline Joan S. Picart, Countering Jihadi-Cool: Narrative, Law, Culture and Philosophy Against Global Jihad (Fairleigh Dickinson University Press, contracted and forthcoming).

Caroline Joan “Kay” S. Picart, editor and contributor, Monsters, Law, Crime: Explorations in Gothic Criminology (Fairleigh Dickinson University Press, 2020). — Direct Link 

Caroline Joan ‘Kay’ S. Picart, “The Journey of Analyzing Terror, On and Offscreen: on Monsters, Law, Crime,” [an interview] Film International, December 21, 2020. — Interview

Caroline Joan "Kay" S. Picart, American Self-Radicalizing Terrorists and the Allure of "Jihadi Cool/Chic" (Cambridge Scholars Publishing, March 2017).

Caroline Joan "Kay" S. Picart, Michael Hviid Jacobsen, And Cecil Greek Eds., Framing Law And Crime: An Interdisciplinary Anthology (Fairleigh Dickinson University Press and Rowman and Littlefield, March 2016).

Caroline Joan "Kay" S. Picart, Law In/As Culture: Intellectual Property Rights, Minority Rights, And The Rights Of Indigenous Peoples (Fairleigh Dickinson University Press and Rowman and Littlefield, February 2016).

Countering Jihadi Cool and the Case of Raza v. City of New York, 12 Indiana Journal of Law and Social Equality 2 (Spring 2024), pp. 208-248 has been published. Direct Link

Caroline Joan S. Picart and Marlowe Fox, Assumptions and Unintended Consequences of Florida’s HB 87 and the Foreclosure Crisis: A Pragmatic Analysis, 119 Penn State Law Review, 1 (November, 2014), 93-130.
http://www.pennstatelawreview.org/wp-content/uploads/2015/02/2-PICART-FOX-FORMATTED-FINAL-COPY.pdf

Caroline Joan S. Picart and Marlowe Fox, Beyond Unbridled Optimism and Fear:  Indigenous Peoples, Intellectual Property, Human Rights and the Globalization of Traditional Knowledge and Expressions of Folklore (Part II), 16 International Community Law Review 2 (March 2014), 3-37.

Caroline Joan S. Picart, Cross Cultural Negotiations and International Intellectual Property Law:  Attempts to Work Across Cultural Clashes Between Indigenous Peoples and Majoritarian Cultures, 23 Southern California Interdisciplinary Law Journal 1, (January 2014), 37-65.

Caroline Joan S. Picart and Marlowe Fox, Beyond Unbridled Optimism and Fear:  Indigenous Peoples, Intellectual Property, Human Rights and the Globalization of Traditional Knowledge and Expressions of Folklore (Part I), 15 International Community Law Review 3(2013), 319-339 (published June 2013).
http://booksandjournals.brillonline.com/content/journals/10.1163/18719732-12341255?crawler=true&mimetype=application/pdf

Caroline Joan S. Picart, A Tango between Copyright and Critical Race Theory:   Whiteness as Status Property in Balanchine’s Ballets, Fuller’s Serpentine Dance and Graham’s Modern Dances, (Yeshiva University) 18 Cardozo Journal Of Law & Gender 101 (April 2012).
PDF: http://www.cardozolawandgender.com/uploads/2/7/7/6/2776881/picart_formatted.pdf

Caroline Joan S. Picart, Colloquium Proceedings:  Critical Pedagogy, Race/Gender and Intellectual Property 48 California Western Law Review 101 (April 2012).
http://www.cwsl.edu/main/default.asp?nav=journals.asp&body=journals/current_issue_LR.asp

Caroline Joan S. Picart, Attempting to Go Beyond Forgetting:  The Legacy of  The Tokyo IMT and Crimes of Violence Against Women, (University of Pennsylvania) 7 East Asia L. Rev., 1, January, 2012, nominated for ILSA and ASIL Deak International Law Award, 2013.
PDF: http://scholarship.law.upenn.edu/cgi/viewcontent.cgi?article=1055&context=ealr

Caroline Joan “Kay” S. Picart, “Monstrous Discourses, Jihadi Cool and Emergent Counter-Terrorist Narratives: The Case of Ahmad Khan Rahami (a.k.a. Ahmad Rahimi) and the 2016 New York/New Jersey Bombings,” in Caroline Joan “Kay” S. Picart, ed. Monsters, Law, Crime: Explorations in Gothic Criminology (Fairleigh Dickinson University Press, 2020), pp. 245-279.

Caroline Joan “Kay” S. Picart, “Explorations in Gothic Criminology: Ruminating on Monsters, Law, Crime,” in in Caroline Joan “Kay” S. Picart, ed. Monsters, Law, Crime: Explorations in Gothic Criminology (Fairleigh Dickinson University Press, 2020), pp. 1-18.

Caroline Joan S. Picart, American Self-Radicalizing Terrorists and Conversions to Radical Action-Emotional Factors and the Allure of “Jihadi Cool/Chic” in Towards a Criminology of Emotions (Michael Hviid Jacobsen and Sandra Walklate, eds. London: Routledge 2019).

Michael Hviid Jacobsen and Caroline Joan S. Picart, Towards a Reorientation of Interactionist Sociology - Introducing Radical Interactionism in Critical and Cultural Interactionism (Michael Hviid Jacobsen, ed. London: Routledge 2019).

Caroline Joan S. Picart, "Jihad Cool/Jihad Chic": The Roles of the Internet and Imagined Relations in the Self-Radicalization of Colleen LaRose (Jihad Jane), Societies, 2015, 5: 354–383.
Abstract: http://www.mdpi.com/2075-4698/5/2/354/
HTML Version: http://www.mdpi.com/2075-4698/5/2/354/html

Caroline Joan S. Picart, Nationalities, Histories, Rhetorics: Real/Reel Representations of the Holocaust and Holocaust Trials and a Poethics of Film and Law, Dapim: Studies on the Holocaust, 2015. Vol. 29, No. 2, 1–20 (May, 2015)

Caroline Joan S. Picart, "Reflections on Power and Intersectionality" in STUDIES IN SYMBOLIC INTERACTION, Vol. 41 (Lonnie Athens, ed., Emerald, 2013).

Caroline Joan (Kay) S. Picart, “Media Myths Regarding Serial Killers: A Gothic Criminology” in The Poetics of Crime – Excursions into Creative Criminologies, Michael Hviid Jacobsen, ed. (Ashgate, 2014) pp. 173-191.

Caroline Joan S. Picart, Rhetorically Reconfiguring Victimhood and Agency:  The Violence Against Women Act’s Civil Rights Clause, 6 RHETORIC & PUBLIC AFFAIRS 1 (Spring 2003):  97-125.

Caroline Joan S. Picart, Beyond Good and Evil:  The Black-White Divide in Critical Race Theory,
8 Human Rights Review 3 (April 2007): 221-228.

Caroline Joan S. Picart, Of Nuns and Tanks, and Angels and Demons:  The Marcoses and the People’s Power Revolution, 6 The Long Term View 3 (Spring 2005): 70-85.

Caroline Joan S. Picart, Law In and As Culture: American and Australian Aboriginal Case Studies in Copyright Law, Association for the Study of Law, Culture and the Humanities, Stanford University Law School, forthcoming March 31, 2017. Dr. Picart also chairs the Panel on: “FDU Press Book Series on Law, Culture & Humanities: Searching for/Symbolizing Justice and Law in Artistic, Literary, Constitutional and Architectural Narratives,” of which the above-mentioned paper is part.

Caroline Joan S. Picart, Toward a Poethics in Film and Law: Documenting Real/Reel Representations of the Holocaust and Holocaust Trials, Association for the Study of Law, Culture and Humanities, Georgetown University Law Center, Washington DC, March 6-7, 2015.

Caroline Joan S. Picart, Theorizing Resistance in Relation to Copyright and Choreography,  Latino and Latina Critical Theory (LatCrit) VII, Chicago, IL, Oct. 5, 2013.

Caroline Joan S. Picart, Monstrosity, Serial Killing, the criminal blackman and the Lesbian Female Serial Killer:   Fact and Fiction in Depictions of Wayne Williams and Aileen Wuornos, Association for the Study of Law, Culture and the Humanities, University of London, England, March 21, 2013.

Caroline Joan S. Picart,“Exotic” Whiteness as Status Property in Fuller’s Skirt Dance and Graham’s Modern Dances, Latino and Latina Critical Theory (LatCrit) VI, San Diego, CA, Oct. 8, 2011.

Caroline Joan S. Picart, The Radicalization of American Lone Wolves in Real/Reel Worlds: Strategically Mapping the Role of the Internet, and Beyond, in the Cases of Colleen LaRose (Jihad Jane) and the Tsarnaev Brothers (the Boston Marathon Bombers), NATO Sponsored Conference on Lone Wolf Terrorism Conference/Workshop, TAM-C Solutions, Jerusalem, Israel, November 2014.
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Caroline Joan S. Picart, Law In/As Culture: Intellectual Property Law and Indigenous Peoples, Florida A & M University Law School, November 14, 2013.