Doneson, Judith E., The Holocaust in American Film. (Philadelphia, PA: Jewish Publication Society, 1987).

Platt, David, Social Film Criticism from The Birth of a Nation to Judgment at Nuremberg (Metuchen, NJ: Scarecrow Press 1992).

Bianco, Robert, "'Nuremberg': Trial and errors," USA Today, July 14, 2000, p. E.6.

Donald, Ralph R., "Nuremberg," The American Historical Review 106 (1) (2001): 306.

Johnson, Steve, "'Nuremberg' Lost amid Trials and Tribulations," Chicago Tribune, July 12, 2000, p. 5.1

Miller, Daryl, "Nuremberg Probes the Mind, Raises Haunting Questions," Los Angeles Times, July 15, 2000, p. F.2

Salamon, Julie, "Humanized, but Not Whitewashed, at Nuremberg," New York Times, July 14, 2000, p. E.23

Wiesel, Elie, "The Wannsee conference," Film Comment (24) (Jan./Feb. 1988): 73.

Ciment, Michel, "Joy to the World. An Interview With Marcel Ophuls on The Hotel Terminus," American Film 13 (10) (September 1988): 38-43.

Colombat, André Pierre: The Holocaust in French Film. Filmmakers, Nr. 33, Metuchen, NJ / London: Scarecrow Press, 1993

Hoberman, J., "Barbie and the Machers," The Village Voice, Oct. 11, 1988.

"Hotel Terminus," Film Comment 24 (Nov./Dec. 1988): 56-7.

Lewis, Kevin, "Hotel Terminus," Films in Review 40 (1) (Jan. 1989): 42-3.

Ophuls, Marcel, "The Question I Did Not Ask Myself: Would You Hide a Jewish Child?" in: Hôtel Terminus (Klaus Barbie His Life and Times) (Presseheft), 1988.

Calhoun, John, "Shooting "Mr. Death," Lighting Dimensions 242 (February 2000): 18-19.

Cook, John, "Errol Morris: brash, deep, and in total control," Mother Jones 25 (2) (March/April 2000): 82-3.

Kelleher, Ed, "Mr. Death: The Rise and Fall of Fred A. Leuchter, Jr.," Film Journal International 10211 (November 1999): 126-127.

Grundmann, Roy and Cynthia Rockwell, "Truth is not subjective: an interview with Errol Morris," Cineaste  25 (3) (2000): 4-9.

Rosen, R.,  "'Mr. Death, the Rise and Fall of Fred A. Leuchter, Jr,'" Film Comment 35 (2) (March-April 1999): 66.

Armes, Roy, The Cinema of Alain Resnais (London: Barnes, 1968).

Dumling, A., "Eisler's music for Resnais' 'Night and Fog' (1955): a musical counterpoint to the cinematic portrayal of terror,"  Historical Journal of Film Radio and Television 18 (4) (October 1998): 575-584.

Harcourt, Peter, "Alain Resnais 'Memory is kept alive with dreams,'" Film Comment (November/December 1973).

Harcourt, Peter, "Alain Resnais - Toward the certainty of doubt," Film Comment (January/February 1974).

Hebard, A., "Disruptive histories: Toward a radical politics of remembrance in Alain Resnais's 'Night and Fog,'" New German Critique 71 (Spring-Summer 1997): 87-113.

Marcorelles, Louis, "'Nuit et Brouillard,'" Sight and Sound 25 (4) (1956)

Michael, Robert, "A Second Look - Night and Fog," Cineaste 13 (4) (1984): 36-37.

Moses, J. W., "Vision Denied in 'Night and Fog' and 'Hiroshima man Amour,'"  Literature-Film Quarterly 15 (3) (1987): 159-163.

Raskin, Richard, Nuit et Brouillard (Aarhus: University Press, 1987).

Angress, Ruth K, "Lanzmann's Shoah and its Audience," Simon Wiesenthal Center Annual 3 (1986).

Ascherson, Neal, "The Shoah Controversy," Soviet Jewish Affairs 16 (1) (Feb 1986): 53-61.

Avni, Ora, "Narrative Subject, Historic Subject: Shoah and La Place de l'Etoile," Poetics Today 12 (3) (Fall 1991): 495-516.

Brinkley, Robert, and Steven Youra, "Tracing Shoah," PMLA 111 (1) (Jan 1996): 108-127.

Doherty, Thomas, "Representing the Holocaust: Claude Lanzmann's Shoah," Film & History 17 (1) (1987): 2-8.

Felman, Shoshana, "In an Era of Testimony: Claude Lanzmann's Shoah," Yale French Studies 79 (1991): 39-81.

Koch, Gertrud, "The Aesthetic Transformation of the Image of the Unimaginable: Notes on Claude Lanzmann's Shoah," October 48 (Spr 1989): 15-24.

LaCapra, Dominick, "Lanzmann's Shoah: 'Here There Is No Why,'" Critical Inquiry 23 (2) (Win 1997): 231-269.

Neufeld, Amos, "Claude Lanzmann's Shoah: Annihilation," in Celluloid Power: Social Film Criticism From The Birth of a Nation to Judgment at Nuremberg, ed., Platt, David (Metuchen, NJ: Scarecrow Press, 1992).

Olin, Margaret "Lanzmann's Shoah and the Topography of the Holocaust Film," Representations 57 (Win 1997): 1-23.

Robbins, Jill, "The Writing of the Holocaust: Claude Lanzmann's Shoah," Prooftexts 7 (3) (September 1987): 249-258.

Woll, Josephine, "Dante's Hell: Absorbing Lanzmann's Shoah," Jewish Quarterly 35 (3) (Fall 1988): 35-39.

Avisar, Ilan. "Holocaust Movies and the Politics of Collective Memory," in Thinking about the Holocaust: After Half a Century, ed., Alvin H. Rosenfeld. (Bloomington: Indiana University Press, 1997).

Brenner, David, "Working Through the Holocaust Blockbuster: Schindler's List and Hitler's Willing Executioners, Globally and Locally," The Germanic Review 75 (4) (2000): 280.

"The Current Cinema: Steven Spielberg's Schindler's List. Schindler's List Finds Heroism Amidst Holocaust." American Cinematographer 75 (1) (January 1994).

Doherty, Thomas, "Schindler's List," Cineaste 20 (3) (Summer 1993): 49.

Elsaesser, Thomas, "Subject Positions, Speaking Positions; From Holocaust, Our Hitler, and Heimat to Shoah and Schindler's List," in The Persistence of History: Cinema, Television, and the Modern Event, ed., Vivian Sobchack (New York: Routledge, 1996), pp: 145-83.

Farrell, Kirby, "The Economies of Schindler's List," Arizona Quarterly 52 ( 1. 1996 Spring. pp: 163-88.

Fogel, Daniel Mark, "Schindler's List in Novel And Film: Exponential Conversion," Historical Journal of Film, Radio and Television 14 (3) (August 1994): 315.

Gelley, Ora, "Narration and the Embodiment of Power in Schindler's List," Film Criticism 22 (Winter 1997/1998): 2-26.

Grossmann, A., "Watching Schindler's List + Holocaust Fiction, Reception, Criticism: Not the Last Word," New German Criticism (71) (SPR-SUM 1997): 41-62.

Loshitzky, Yosefa, Spielberg's Holocaust : Critical Perspectives on Schindler's List (Bloomington : Indiana University Press, 1997).

Palowski, Franciszek, The Making of Schindler's List: Behind the Scenes of an Epic Film, translated from the Polish by Anna and Robert G. Ware. (Secaucus, N.J.: Carol Pub. Group, 1998).

Pascal, M, "Why I Made Schindler's List - An Interview with Steven Spielberg," Queens Quarterly 101 (1) (Spring 1994): 27-47

Rosen, Jonathan "The Trivialization of Tragedy," in Dumbing Down: Essays on the Strip Mining of American Culture, eds., Katharine Washburn and John F. Thornton (New York: W.W. Norton, 1996).

"Schindler's List," American Cinematographer 80 (3) (Mar. 1999): 136.

Strick, Philip, "Schindler's List," Sight & Sound 4 (Mar. 1994): 46-8.

Thomson D, "Presenting Enamelware," Film Comment 30 (2) (March-April 1994): 44.

Bond, Jeff, "Scores of Scores: Apt Pupil," Film Score Monthly 3 (10) (December 1998]): 30.

Farrow, Boyd, "How Hitler conquered Hollywood Why are today's film-makers so desperate to confront Nazism?" Guardian, Feb 5, 1999, p. 8:1.

Hastings, Matthew, "Reviews: Apt Pupil," Film Review 582 (June 1999]): 28.

Hoberman, J, "Nazi Business," The Village Voice 43 (43) (October 27, 1998), p.135.

Jones, Alan, "Apt Pupil - director Bryan Singer on his provocative Stephen King adaptation," Shivers 61 (January 1999).

Scapperotti, Dan, ''Stephen King's  Apt Pupil: Usual Suspects Auteur Bryan Singer on Adapting King's Timely Shocker,'' Cinefantastique 30.9 (10) (1998): 20-21.

"Screenwriter Brandon Boyce discusses adapting Stephen King's short story into this new shocker," Shivers 67 (July 1999).

Wood, Gary, "Apt Pupil," Cinefantastique 21 (4) (Feb1991 ): 36-37.

Bassi, Chiara , "Fathers and Daughters in the Camp: The Night Porter by Liliana Cavani," Gendered Contexts: New Perspectives in Italian Cultural Studies, eds. Laura Benedetti, Julia L. Hairston and Sylvia M. Ross (New York: Peter Lang, 1996), pp. 165-175.

Pietropaolo, Laura, "Liliana Cavani's Night Porter," in Donna: Women in Italian Culture (Ottawa, Canada: Dovehouse Editions, 1989).

Stone, Mirto Golo, "The Feminist Critic and Salome: On Cavani's The Night Porter," Romance Languages Annual, eds. Ben Lawton and Anthony Julian Tamburri, Volume 1 (Purdue Research Foundation, 1990), pp. 41-44.

Silverman, Kaja, "Masochism and Subjectivity," Framework 12 (1980): 2-9.

Waller, Marguerite, "Signifying the Holocaust: Liliana Cavani's Portiere di notte," in Feminisms in the Cinema (Indiana Univ. Press, 1995).

Ben-Ghiat, Ruth, "The secret histories of Roberto Benigni's Life is Beautiful," Yale Journal of Criticism 14 (1) (Spring 2001): 253-66.

Celli, Carlo, "Interview with Marcello Pezzetti," Critical Inquiry 27 (1) (Autumn 2000): 149-57.

Celli, Carlo, "The representation of evil in Roberto Benigni's Life is Beautiful," Journal of Popular Film and Television  28 (2) (Summer 2000): 74-9

Ezrahi, Sidra DeKoven, "After such knowledge, what laughter?" Yale Journal of Criticism 14 (1) (Spring 2001): 287-313.

Flanzbaum, Hilene, "But wasn't it terrific?": a defense of liking Life is Beautiful," Yale Journal of Criticism 14 (1) (Spring 2001): 273-86.

Gilman, Sander L., "Is life beautiful? Can the Shoah be funny? Some thoughts on recent and older films," Critical Inquiry 26 (2) (Winter 2000): 279-308.

Haskins, Casey, "Art, morality, and the Holocaust: the aesthetic riddle of Benigni's Life is Beautiful,"  The Journal of Aesthetics and Art Criticism 59 (4) (Fall 2001): 373-84.

Hoberman, J. "Dreaming the unthinkable," Sight & Sound 9 (2) (Feb. 1999): 20-3.

Kertesz, Imre, "Who owns Auschwitz?" Yale Journal of Criticism 14 (1) (Spring 2001): 267-72.

Kroll, Pamela L., "Games of disappearance and return: war and the child in Roberto Benigni's Life is Beautiful," Literature/Film Quarterly 30 (1) (2002): 29-45.

Liebman, Stuart,  "If only Life Were So Beautiful," Cineaste 24 (2-3) (1999): 20-22.

MacCabe, Colin, "Life is Beautiful," Sight & Sound 9 (2) (Feb. 1999): 46.

Privett, Ray, "Not fade away," Film Comment 34 (6) (Nov./Dec. 1998): 11-14.

Viano, Maurizio Sanzio, "Life is Beautiful: reception, allegory and Holocaust laughter," Film Quarterly 53 (1) (Fall 1999): 26-34.

Zizek, Slavoj, "Camp comedy," Sight & Sound 10 (4) (Apr. 2000): 26-9.

Ezrahi, Sidra DeKoven, "After such knowledge, what laughter?" Yale Journal of Criticism 14 (1) (Spring 2001): 287-313.

Matthews, Peter, "Jakob the Liar," Sight & Sound 9 (12) (Dec. 1999): 48-9.

Zizek, Slavoj, "Camp comedy," Sight & Sound 10 (4) (Apr. 2000): 26-9.

Green, Gerald, New York Times, April 23, 1978.

King, Susan, "Retro; Remembering 'Holocaust,'" Los Angeles Times, April 10, 1994, Sunday, Orange County Edition, TV Times; Page 79; Television Desk.

Levene, Rebecca, "The Eighties: Face of an Era: Meryl Streep," Film Review Special 29 (1999): 78.

O'Connor, John, New York Times, April 14, 1978.

Shales, Tom, "Holocaust; Four Nights Of Television at Its Most Demanding," Washington Post, April 16, 1978, Sunday, Final Edition, Style; Show; On The Air; K1.

Shales, Tom, "NBC's Powerful 'Holocaust'; This Drama's Ratings Could Affect TV Programming for Years," Washington Post, April 12, 1978, Wednesday, Final Edition, Style; On the Air; B2.

Waters, Harry F. and Betsy Carter, "'Holocaust' Fallout," Newsweek, May 1, 1978, pg. 72.

Weinstein, Steve, "'Holocaust' Keeping the Truth Alive," Los Angeles Times, April 8, 1994, Friday, Home Edition, Calendar; Part F; Page 14; Column 1; Entertainment Desk.

Wiesel, Elie, New York Times, April 16, 1978.

American Cinematographer 40 (6) (June 1959).

Barnouw, David, "Anne Frank and Film," in Anne Frank: Reflections on Her Life and Legacy, eds. Hyman Aaron Enzer and Sandra Solotaroff-Enzer (Urbana, IL: U of Illinois P, )

Doneson, Judith E., The Holocaust in American Film (Philadelphia, PA: Jewish Publication Society, 1987).

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Graver, Lawrence, An Obsession with Anne Frank. Meyer Levin and the Diary (Berkeley: University of California Press, 1995).

Friedman, Lester, The Jewish Image in American Film (Secaucus, NJ: Citadel, 1987).

Langer, Lawrence L., "The Americanization of the Holocaust on Stage and Screen," in Anne Frank: Reflections on Her Life and Legacy, eds. Hyman Aaron Enzer and Sandra Solotaroff-Enzer (Urbana, IL: U of Illinois P, )

Loewy, Hanno: "Saving the Child: The Universalisation of Anne Frank," in Marginal Voices, Marginal Forms: Diaries in European Literature and History (Amsterdam: Rodopi, 1999).

Melnick, Ralph, The Stolen Legacy of Anne Frank. Lilian Hellman and the Staging of the Diary (New Haven: Yale University Press, 1997).

Ravits, Martha, "To Work in the World: Anne Frank and American Literary History," Women's Studies: An Interdisciplinary Journal 27 (4) (1998): 1-30.

Weldon, Helen, "The Diary of Anne Frank," Films in Review 10 (4) (April 1959).

Weisberg, Richard, "Why They're Censoring The Tin Drum: Kristallnacht Reflections on the End of the Epic," Cardozo Studies in Law and Literature 10 (2) (1998 Winter): 161-81.

Kilborn, Richard, "Filming the Unfilmable: Volker Schlondorff and The Tin Drum," in Cinema and Fiction: New Modes of Adapting, eds., John Orr and Colin Nicholson (Edinburgh: Edinburgh UP, 1992).

Flasher, John, "The Grotesque Hero in The Tin Drum," in Holding the Vision: Essays on Film, ed. Douglas Radcliff-Umstead (Kent: Internat. Film Soc., Kent State Univ., 1983).

Hall, C. "A Different Drummer - The 'Tin Drum' Film and Novel," Literature-Film Quarterly 18 (4) (1990): 236-244.

Hughes, J,  V. Schlondorff and J. C. Carriere, "Tin Drum," Film Quarterly 34 (3) (1981): 2-10.

Pachter, H., "Tin Drum," Cineaste 10 (4) (1980): 31-32.

Crowdus, Gary, "Coming to terms with the German past: an interview with Volker Schlondorff," Cineaste  26 (2) (2001): 18-23.

"Chaplin at the Premier," New York Times, October 15, 1940.

"Charlie's Hitler," New Yorker 16, October 28, 1940, p. 60.

Cole, R., "Anglo-American Anti-fascist Film Propaganda in a Time of Neutrality: The Great Dictator, 1940," Historical Journal of Film Radio and Television 21 (2) (June 2001): 137-152.

Crowther, Bosley, "The Great Dictator," New York Times October 16, 1940.

Dick, Bernard F., The Star-Spangled Screen. The American World War II Film. (Lexington, 1985).

Doherty, Thomas, Projections of War: Hollywood, American Culture, and World War II (New York: Columbia University Press, 1999).

Doneson, Judith E., The Holocaust in American Film (Philadelphia: Jewish Publication Society, 1987).

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Friedman, Lester, The Jewish Image in American Film (Secaucus, NJ: Citadel, 1987).

Flom, Eric L., Chaplin in the Sound Era: An Analysis of the Seven Talkies (Jefferson, NC: McFarland, 1997).

Goldfarb, Alvin, "Adolf Hitler As Portrayed In Drama And Film During His Lifetime," Journal of Popular Culture 13 (1) (1979): 55-66.

"Great Dictator" Wide Angle, 3 (2) (1979): 50-3.

"Great Dictator," Sight & Sound 24, Dec 1940,  862-5.

"Great Dictator" Sight & Sound 9, Winter 1940, : 67.

Harvey, Stephen "The Great Dictator." Film Comment 8 (3) (September-October 1972): 20-22.

Koppes, Clayton R., and Gregory D. Black, Hollywood Goes to War. (London: The Free Press, 1987).

Liebman, Robert Leslie, "Rabbis or Rakes, Schlemiels or Supermen? Jewish Identity in Charles Chaplin, Jerry Lewis and Woody Allen," Literature/Film Quarterly 12 (3) (1984): 195-201.

Ma, S. M., "The 'Great Dictator' and 'Maus' - The Comical Before and After the Holocaust," Proteus 12 (2) (Fall 1995): 47-50.

Petley, Julian, "Laughs and Sneezes," Index on Censorship 29 (6) (November-December 2000): 156-63.

Platt, David, Celluloid Power : Social Film Criticism from The Birth of a Nation to Judgment at Nuremberg (Scarecrow Press, 1992).

Schechter, Joel, "The Leading Actor Played the Fuhrer: Hitler as Chaplin's Double." in Satiric Impersonations: From Aristophanes to the Guerrilla Girls (Carbondale: Southern Illinois University Press, 1994).

Short, K. R. M., "Chaplin the 'Great Dictator' and British Censorship, 1939," Historical Journal of Film Radio and Television 5 (1) (1985): 85-90.

Sight and Sound (Supplement) (London) 14 (3) (March 1945).

Sight and Sound 2 (7) (November 1992).

Gilman, Sander L., "Is life beautiful? Can the Shoah be funny? Some thoughts on recent and older films," Critical Inquiry 26 (2) (Winter 2000): 279-308.

Pfefferkorn, Eli, "Bettelheim, Wertmuller, and the Morality of Survival," Post Script: Essays in Film and the Humanities 1 (2) (Winter 1982): 15-26.

Stiglitz, Beatrice, "Images of Extremity: Conflict, Anarchy and Freedom in the Films of Lina Wertmuller," in Holding the Vision: Essays on Film, ed. Douglas Radcliff-Umstead (Kent: Internat. Film Soc., Kent State Univ., 1983).

Tutt, Ralph, "Seven beauties and the beast: Bettelheim, Wertmuller, and the uses of enchantment," Literature/Film Quarterly 17 (3) (1989): 193-201.

Braudy, Leo. "The Double Detachment of Ernst Lubitsch." MLN 98 (December 1983): 171-84.

Carringer, Robert L. and Barry Sabath, Ernst Lubitsch: A Guide to References and Resources (Boston: G.K. Hall, 1978).

Dick, Bernard F., The Star-Spangled Screen. The American World War II Film (Lexington, 1985).

Doherty, Thomas, Projections of War: Hollywood, American Culture, and World War II (New York: Columbia University Press, 1999).

Doneson, Judith E., The Holocaust in American Film (Philadelphia: Jewish Publication Society, 1987).

Film Comment 10 (May/June 1974): 38-43

Film Comment 12 (March/April 1976): 20-5

Farber, Manny, "With Camera and Gun," New Republic, March 23, 1942, p. 309.

Friedman, Lester D., Hollywood's Image of the Jew (New York: Ungar, 1982), p. 112.

Friedman, Lester D., The Jewish Image in American Film (Secaucus, NJ: Citadel, 1987).

Insdorf, Annette, "To Be or Not To Be," American Film 5 (2) (November 1979): 80-1.

The International Dictionary of Films and Filmmakers, Christopher Lyon, ed. (Chicago: St. James Press, 1984).

Koppes, Clayton R. and Gregory D. Black, Hollywood Goes to War (London: The Free Press, 1987).

Lengyel, Melchior, "You Cannot Outwit Wit' Sez Lengyel, Defending H'wood's Satire of Fascism," Variety April 1, 1942, pp. 4-5.

Literature/Film Quarterly 3 (Autumn 1975): 299-308.

Loertz, Niklaus, Framework 5 (Winter 1977): 12-14, 24-29.

New York Times, January 25, 1942, p. 5.

New York Times, March 1, 1942, p. 4.

New York Times, March 7, 1942, p. 13.

New York Times, March 22, 1942, p. 3.

New York Times, March 29, 1942, p. 3.

New York Times, May 22, 1942, sec. 8, p. 3.

Paul, William, Ernst Lubitsch's American Comedy (New York: Colombia UP, 1983), pp. 223-56.

Poague, Leland A., The Cinema of Ernst Lubitsch (South Brunswick, NJ: A. S. Barnes, 1978).

Shindler,Colin, Hollywood Goes to War: Films and American Society, 1939-1952 (Boston: Routledge & Kegan Paul, 1979).

Rosenberg, Joel, "Shylock's Revenge: The Doubly Vanished Jew in Ernst Lubitsch's 'To Be or Not to Be,'" Prooftexts 16 (3) (September 1996): 209-244.

Sight and Sound (Summer 1942): 15-16.

Sight and Sound (Supplement), 16 (9) (January 1947).

Tifft, Stephen, "Miming the Führer: To Be or Not to Be and the Mechanisms of Outrage," Yale Journal of Criticism 5 (1) (1991): 1-40.

Time, March 16, 1942, p. 90.

Klawans, Stuart, "Life is beautiful," Film Comment 38 (1) (Jan./Feb. 2002): 48-9.

Price, James, "The Passenger," Film Quarterly 18 (1) (Fall 1964): 42.

Cunningham, Frank R., "The Insistence of Memory: The Opening Sequences of Lumet's Pawnbroker," Literature/Film Quarterly 17 (1) (1989): 39-43.

Films and Filming 11 (1) (October 1964).

Films and Filming 13 (3) (December 1966).

Friedman, Lester, The Jewish Image in American Film (Secaucus, NJ: Citadel, 1987).

H. H., "The Pawnbroker," Films in Review 16 (5) (May 1965): 314.

Leff, Leonard J., "Hollywood and the Holocaust: Remembering The Pawnbroker," American Jewish History 84 (4) (Dec 1996 ): 353-76.

Lumet, Sidney, "Keep The on the Hook," Film Quarterly 2 (1966).

Quart, Leonard, "A Second Look: The Pawnbroker," Cineaste 25 (2) (2000): 48-50.

Smith, Gavin, "That's the way it happens," Film Comment 28 (Sept./Oct. 1992): 50-2.

Deutschmann, Linda, Triumph of the Will: The Image of the Third Reich (Wakefield, N.H.: Longwood Academic, 1991).

Film Comment 3 (1) (Winter 1965): 16-23, 28-31.

Hinton, David B., "'Triumph of the Will: Document or Artifice?" Cinema Journal 15 (1) (Fall 1975): 48.

Loiperdinger, Martin, "Triumph des Willens," Historical Journal of Film, Radio and Television 7 (2) (1987): 212.

Loiperdinger, Martin and David Culbert, "Leni Riefenstahl, the SA, and the Nazi Party Rally Films, Nuremberg 1933-1934: 'Sieg des Glauben' and 'Triumph des Willens,'" Historical Journal of Film, Radio and Television 8 (1) (1988): 3.

Neale, S. "Triumph of the Will: Notes on Documentary and Spectacle," Screen 20 (1) (Spring 1979): 63-86.

Winston, B., "Was Hitler There? Reconsidering Triumph of the Will," Sight and Sound 50 (2) (Spring 1981): 102-7.

Bianculli, David, "'Cartoons' a Cel-ing Point in War," Daily News, August 31, 1995, Thursday, Television; pg. 122.

Borowiec, Piotr., Animated Short Films (Lanham, Md.: Scarecrow Press, 1998).

Goodman, Walter, "A Time When Loose Lips Could Really Sink Ships," New York Times, August 31, 1995, Thursday, Late Edition - Final, Section C; Page 16; Column 5; Cultural Desk.

Shull, Michael S.and David E. Wilt, Doing their bit: wartime American animated short films, 1939-1945 (Jefferson, N.C.: McFarland, 1987).

Tunney, T. "Ashes and Diamonds," Sight and Sound 7 (10) (Oct 1997): 66.

Brill, E., "Ashes and Diamonds," Cineaste 11 (3) (1981): 22-26.

Coates, Paul, "Forms of the Polish Intellectual's Self-Criticism: Revisiting Ashes and Diamonds with Andrzejewski and Wajda," Canadian Slavonic Papers/Revue Canadienne des Slavistes: An Interdisciplinary Journal Devoted to Central and Eastern Europe 38 (3-4) (Sept-Dec 1996): 287-303.

Hoberman, J., From Ashes and Diamonds - The Comeback of  Andrzej Wajda," American Film 7 (4) (1982): 58-61.

International Dictionary of Films and Filmmakers, v. 1, p. 368-70.

Michnik, Adam, "The Wajda question," Salmagundi 128/129 (Fall 2000/Winter 2001): 137-79.

Paul, David W., "Andrzej Wajda's war trilogy," Cineaste 20 (4) (1994): 52-4.

Stephan, H., "Ashes and Diamonds," Slavic and East European Journal 36 (2) (SUM 1992): 260-261.

Young, Colin, "Ashes and Diamonds," Film Quarterly 13 (4) (Summer 1960): 34.

Ciment, Michel, "Joy to the world an interview with Marcel Ophuls," American Film 13 (Sept. 1988): 38-43.

Cineaste 1 (1971-2): 15-18.

Doherty, T., "The Sorrow and the Pity: Chronicle of a French city under the Occupation," Cineaste 26 (3) (2001): 50-52.

Film Quarterly 25 (Summer 1972): 56-9.

Filmfacts  15 (8) (1972): 165.

Greene, Naomi, "Battles for memory: Vichy revisited," in Landscapes of Loss, ed., Naomi Greene (Princeton: Univ. Press, 1999).

Jacobsen, Kurt, "Memories of injustice: Marcel Ophuls' cinema of conscience," Film Comment 32 (July/Aug. 1996): 61-7.

Ophuls, M., "A Sorrow and the Pity," American Film 9 (10) (1984): 6.

Porton, Richard and Lee Ellickson, "The troubles he's seen: an interview with Marcel Ophuls," Cineaste 21 (3) (1995): 8-13.

C. P. R, "Sorrow and the Pity," Films in Review 23 (4) (April 1972): 248.

Reynolds, Sian, "The Sorrow and the Pity Revisited: Or, Be Careful, One Train Can Hide Another," French Cultural Studies 1 (2) (1990 June): 149-59.

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