Dr. Caroline J.S. (Kay) Picart

Publications & Research
Recent Chapter and Journal Publications

Book Chapters:

Recently Published and Forthcoming Refereed Scholarly Book Chapters in Sociology and Film:

Caroline Joan S. Picart and Jason McKahan, “Apt Pupil’s Misogyny, Homoeroticism and Homophobia: Sadomasochism and the Holocaust Film,” Stephen King, Lawrence Trudeau, ed. (Layman Poupard Publishing, 2017).

Caroline Joan (Kay) S. Picart, “Media Myths Regarding Serial Killers: A Gothic Criminology” in The Poetics of Crime – Excursions into Creative Criminologies, Michael Hviid Jacobsen, ed. (Ashgate, 2014) pp. 173-191.

Caroline Joan (Kay) S. Picart, “Is Life Beautiful?: Humor, Horror, Fantasy, and History” in The Fantastic in Holocaust Literature, Judith Kerman and John Edgar Browning, eds., (McFarland, November, 2014), pp. 193-211.

Caroline Joan (Kay) S. Picart, “The Documentary Impulse and Reel/Real Horror” in A Companion to the Horror Film, Harry Benshoff, ed. (Wiley-Blackwell, 2014) pp. 536-553.

 

Law Book Chapters:

Caroline Joan S. Picart, “The Radicalization of American Lone Wolves in Real/Reel Worlds:  Strategically Mapping the Role of the Internet, and Beyond, in the Cases of Colleen LaRose (Jihad Jane) and the Tsarnaev Brothers (the Boston Marathon Bombers),” Lone Actors – An Emerging Security Threat, NATO Science for Peace and Security Studies E: Human and Societal Dynamics, Volume 123, Aaron Richman and Yair Sharan, eds. (The Netherlands: IOS Press, 2015), pp. 58-74.

IOS Press Ebooks

 

Published Scholarly Book Chapters in Film and Communication:

Picart, Caroline J. S. “Race and Serial Killing in the Media:  The Case of Wayne Williams.”  In Picart, Caroline J.S. and John E. Browning, eds.  Speaking of Monsters:  A Teratological Anthology (New York:  Palgrave Macmillan, July 2012).

Picart, Caroline J.S. “Where Reality and Fantasy Meet and Bifurcate:  Holocaust Themes in Pan’s Labyrinth, the X-Men, and V.”  In Picart, Caroline J.S. and John E. Browning, eds.  Speaking of Monsters:  A Teratological Anthology (New York:  Palgrave Macmillan, July 2012).

Picart, Caroline J.S. and Greek, Cecil.  “Profiling the Terrorist as a Mass Murderer.”  In Picart, Caroline J.S. and John E. Browning, eds.  Speaking of Monsters:  A Teratological Anthology (New York:  Palgrave Macmillan, July 2012).

Picart, Caroline J.S. and Frank, David.  “Apt Pupil:  The Hollywood Nazi-As-Monster Flick.”  In Picart, Caroline J.S. and John E. Browning, eds.  Speaking of Monsters:  A Teratological Anthology (New York:  Palgrave Macmillan, July 2012).

Picart, Caroline J.S. and John Browning, “Introduction:  Monstrosity and Multiculturalism.”  In In Picart, Caroline J.S. and John E. Browning, eds.  Speaking of Monsters:  A Teratological Anthology (New York:  Palgrave Macmillan, July 2012).

Picart, Caroline J.S. “Gothic Criminology and a Poetics of Crime” (preliminary title) in Michael Hviid Jacobsen, ed., The Poetics of Crime – Excursions into Creative Criminologies (Ashgate, 2014).

Picart, Caroline J.S. “Reel and Real Horror:  Cross-Pollinations between Horror and Documentary.”  In Benshoff, Harry, ed.  A Companion to the Horror Film (Wiley-Blackwell, 2014).

Caroline Joan (Kay) S. Picart. (2010). “Beyond Dancing with the Stars : Sexual Sports Rhetoric in Competitive Ballroom Dance.” In Fuller, Linda K. (Ed.), Sexual Sport Rhetoric: Global and Universal Contexts, pp. 57-68. New York: Peter Lang, 2010.

Sexual Sport Rhetoric Cover

Browning, John, and Caroline Joan (Kay) Picart. “General Overview: Documenting Dracula and Global Identities in Film, Anime, and Li terature,” Draculas, Vampires, and Other Undead Forms: Essays on Gender, Race and Culture. John Edgar Browning and Caroline Joan (Kay) Picart, Eds. (with an Introduction by David J. Skal). Scarecrow Press, May, 2009.

Picart, Caroline Joan (Kay) and Cecil Greek. “When Women Become Serial Killers: Undead Imagery in the Cinematic Portrait of Aileen Wuornos,” Draculas, Vampires, and Other Undead Forms: Essays on Gender, Race and Culture. John Edgar Browning and Caroline Joan (Kay) Picart, Eds. (with an Introduction by David J. Skal). Scarecrow Press, May, 2009.

Picart, Caroline Joan (Kay) and Cecil Greek. “The Compulsions of Real/Reel Serial Killers and Vampires: Toward a Gothic Criminology,” Draculas, Vampires, and Other Undead Forms: Essays on Gender, Race and Culture. John Edgar Browning and Caroline Joan (Kay) Picart, Eds. (with an Introduction by David J. Skal). Scarecrow Press, May, 2009.

Picart, Caroline J. S., and Frank, David. “Horror and the Holocaust: Genre Elements in Schindler's List and Psycho.” The Horror Film, ed. Stephen Prince. New Brunswick, NJ: Rutgers University Press, 2004, 206-223. Nominated for the 2005 National Communication Association Best Essay/Book in Visual Communication.

  • Review by Maria Pramaggiore from Film Quarterly, Spring 2006, Vol. 59, No. 3, Pages 76-77. Reposted online in Caliber, April 14, 2006

 

Picart, Caroline J.S. “Crime and the Gothic: Sexualizing Serial Killers,” Journal of Criminal Justice and Popular Culture, 13: 1 (Spring 2006): 1-18.

Picart, C.J.S. and McKahan, J.G., “Introduction to Volume II: 'Propaganda' and 'Fact,'” The Holocaust Film Sourcebook, ed. Caroline J.S. Picart (Praeger, 2004).

Picart, C.J.S., “Introduction,” The Holocaust Film Sourcebook, ed. Caroline J.S. Picart (Praeger, 2004).

Picart, C.J.S. and McKahan, J.G., “Visualizing the Holocaust in Gothic Terms: The Ideology of U.S. Signal Corps Cinematography,” The Holocaust Film Sourcebook, ed. Caroline J.S. Picart (Praeger, 2004).

Picart, C.J.S. and McKahan, J.G., “From Isolationism to Interventionism: The Local and the Global in Hollywood Anti-Nazi Films,” The Holocaust Film Sourcebook, ed. Caroline J.S. Picart (Praeger, 2004).

Picart, C.J.S. and Surrency, J.K. “Documenting the DP Camp,” The Holocaust Film Sourcebook, ed. Caroline J.S. Picart (Praeger, 2004).

Picart, C.J.S. and Perrine, J. “Laughter, Terror and Revolt in Three Holocaust Films,” The Holocaust Film Sourcebook, ed. Caroline J.S. Picart (Praeger, 2004).

Picart, C.J.S. and Frank, D. “Schindler's List: History, Horror and the Monstrous,” The Holocaust Film Sourcebook, ed. Caroline J.S. Picart (Praeger, 2004).

Picart, C.J.S. and McKahan, J.G. “Sexuality, Power, and Holocaust Film Spectatorship in Apt Pupil,” The Holocaust Film Sourcebook, ed. Caroline J.S. Picart (Praeger, 2004).

Picart, C.J.S. and Frank, D. “Horror and the Holocaust: Genre Elements in Schindler's List and Psycho,” The Horror Film, ed. Stephen Prince (Rutgers University Press, 2003).

Houck, Davis and Caroline J.S. Picart. “Opening the Text: Reading Gender, Christianity, and American Intervention in Deliverance,” The Terministic Screen: Rhetorical Perspectives on Film, ed. David Blakesley (Southern Illinois University Press, 2002).

Review: http://acjournal.org/holdings/vol6/iss4/reviews/blakesley.htm
Citation: http://www.lib.berkeley.edu/MRC/spielberg.html

 

Picart, Caroline J.S.  “Hammer and Universal Films,” A Frankenstein Film Sourcebook, eds. Caroline J.S. Picart, Frank Smoot and Jayne Blodgett Westport, CT and London, England: Greenwood, 2001, pp. 140-172.

Picart, Caroline J.S.  “Women in Frankenstein Films,” A Frankenstein Film Sourcebook, eds. Caroline J.S. Picart, Frank Smoot and Jayne Blodgett Westport, CT and London, England: Greenwood, 2001, pp. 295-308.

Picart, Caroline J.S.  “Introduction; Frankenstein's Enduring Resurrections,” A Frankenstein Film Sourcebook, eds. Caroline J.S. Picart, Frank Smoot and Jayne Blodgett Westport, CT and London, England: Greenwood, 2001, pp. xi-xv.

Picart, Caroline J.S.  “Living the Hyphenated Edge:  Autoethnography, Hybridity and Aesthetics,” Ethnographically Speaking: Autoethnography, Literature, Aesthetics, eds. Carolyn Ellis and Art Bochner (Rowman and Littlefield, 2002).

Picart, Caroline J.S.  “Working at the Limen: Repositioning Authority in Science and Art,” A New Generation of Feminist Science Studies, eds. Maralee Mayberry, Banu Subramaniam and Lisa Weasel. New York and London: Routledge, 2001 pp. 204-215.

Picart, Caroline J.S.  : “Through the Lens of an Insider-Outsider: Gender, Race and (Self)Representation in Science,” A New Generation of Feminist Science Studies, eds. Maralee Mayberry, Banu Subramaniam and Lisa Weasel. New York and London: Routledge, 2001 pp. 42-47.

Picart, Caroline J.S.  “Gayelord Hauser.”  American National Biography. Oxford University Press,1998.

Law Journals Edited:

Co-Editor, Florida Journal of International Law, Issue 23.1, June 2011

Co-Editor, Florida Journal of International Law, Issue 23.2, August 2011

Editor-in-Chief,  Florida Journal of International Law, Issue 23.3 (December 2011)

Editor-in-Chief,  Florida Journal of International Law, Issue 24.1 (April 2012)

Editor-in-Chief,  Florida Journal of International Law, Issue 24.2 (August 2012)

 

Articles in Refereed Journals:

Law Review Publications:

Caroline Joan S. Picart and  Marlowe Fox, Assumptions and Unintended Consequences of Florida’s HB 87 and the Foreclosure Crisis: A Pragmatic Analysis, 119 Penn State Law Review, 1 (2014): 93-130.
http://www.pennstatelawreview.org/wp-content/uploads/2015/02/2-PICART-FOX-FORMATTED-FINAL-COPY.pdf

Rethinking Resistance:  Reflections on the Cultural Lives of Property, Collective Identity, and Intellectual Property, 47 John Marshall Law Review, 4 (2014): 1349-1369.

Caroline Joan (Kay) S. Picart and Marlowe Fox, “Beyond Unbridled Optimism and Fear:  Indigenous Peoples, Intellectual Property, Human Rights and the Globalization of Traditional Knowledge and Expressions of Folklore (Part II),16 INTERNATIONAL COMMUNITY LAW REVIEW 2 (2014), 3-37.

“Cross Cultural Negotiations and International Intellectual Property Law: Attempts to Work Across Cultural Clashes Between Indigenous Peoples and Majoritarian Cultures,” 23 SOUTHERN CALIFORNIA INTERDISCIPLINARY LAW JOURNAL 1, (2014), 37-65.

Caroline Joan (Kay) S. Picart and Marlowe Fox, “Beyond Unbridled Optimism and Fear:  Indigenous Peoples, Intellectual Property, Human Rights and the Globalization of Traditional Knowledge and Expressions of Folklore (Part I),15 INTERNATIONAL COMMUNITY LAW REVIEW 3,(July 2013), 319-339.
http://booksandjournals.brillonline.com/content/journals/10.1163/18719732-12341255?crawler=true&mimetype=application/pdf

Caroline J.S. Picart, “Attempting to Go Beyond Forgetting:  the Legacy of the Tokyo IMT and Crimes of Violence Against Women as a Military Strategy,” East Asia Law Review (University of Pennsylvania), Volume VII, January 2012 (available at:  http://www.pennealr.com/archive/vol7.html).

Caroline J.S. Picart, “A Tango between Copyright and Critical Race Theory: Whiteness as Status Property in Balanchine’s Ballets, Fuller’s Serpentine Dance and Graham’s Modern Dances,” (Yeshiva University) 18 Cardozo Journal of Law & Gender 101 (April 2012), http://www.cardozolawandgender.com/uploads/2/7/7/6/2776881/picart_formatted.pdf

Caroline J.S. Picart, “Colloquium Proceedings: Critical Pedagogy, Race/Gender & Intellectual Property” 48 California Western Law Review 101 (April 2012). http://www.cwsl.edu/main/default.asp?nav=journals.asp&body=journals/current_issue_LR.asp

Caroline J.S. Picart, “Prologue,” Florida Journal of International Law, Issue 23.3 (December 2011)

Caroline J.S. Picart, “Prologue,” Florida Journal of International Law, Issue 24.1 (April 2012)

Caroline J.S. Picart, “Author’s Spotlight:  Dr. Daphne Richmond-Barak,”  Florida Journal of International Law blog, August 2011.

Caroline J.S. Picart, “Author’s Spotlight:  Professor Alan Reed,”  Florida Journal of International Law blog, August 2011.

Caroline J.S. Picart, “Author’s Spotlight:  Professor Robert Rains,”  Florida Journal of International Law blog, August 2011.

Caroline J.S. Picart, “Author’s Spotlight:  Jennifer Allen,”  Florida Journal of International Law blog, August 2011.

Caroline J.S. Picart, “Copyright, Choreography and Critical Race Theory: Whiteness as Status Property in Balanchine's Ballets,” Arizona State University Law Review blog, April 14, 2011. Link to Arizona State University Law Review article.

 

Refereed Articles in Scholarly Journals:

"Jihad Cool/Jihad Chic": The Roles of the Internet and Imagined Relations in the Self-Radicalization of Colleen LaRose (Jihad Jane), Societies, 2015, 5: 354–383.
        Abstract: http://www.mdpi.com/2075-4698/5/2/354/
        HTML Version: http://www.mdpi.com/2075-4698/5/2/354/html

Nationalities, Histories, Rhetorics: Real/Reel Representations of the Holocaust and Holocaust Trials and a Poethics of Film and Law, Dapim: Studies on the Holocaust, 2015. Vol. 29, No. 2, 1–20 (May, 2015)

Caroline Joan S. Picart, "Reflections on Power and Intersectionality" in STUDIES IN SYMBOLIC INTERACTION, Vol. 41 (Lonnie Athens, ed., Emerald, 2013).

Picart, Caroline Joan (Kay) S., “Troping the Tropics: Reflections on Nietzsche's Geophilosophy and the Philippine Rice Terraces,” ACME: An International E-Journal for Critical Geographies, Volume 9, Issue 1, 2010, pp. 72-80. Final Proof (PDF) Link to article.

Picart, Caroline J. S. “Trans-Nationalities, Bodies, and Power: Dancing Across Different Worlds,” Journal of Speculative Philosophy, Volume 22, #3, 2008, pp. 191-204.

Picart, Caroline J.S. “Crime and the Gothic: Sexualizing Serial Killers,” Journal of Criminal Justice and Popular Culture, 13: 1 (Spring 2006): 1-18.

Picart, Caroline J.S. “Beyond Good and Evil: The Black-White Divide in Critical Race Theory,” Human Rights Review, 8:3 (April-June 2007): 221-228.

Picart, C.J.S. “Media Star and Monster: Imelda Marcos,” Women in Performance, 30:15 (2006): 99-117.

Picart, C.J.S. “Of Nuns and Tanks, and Angels and Demons: the Marcoses and the People's Power Revolution,” The Long Term View (Massachusetts School of Law Journal). 6 (Spring 2005):  70-85.

Picart, C.J.S., “Rhetorically Constructing and Deconstructing Victimhood and Agency: The Violence Against Women Act's Civil Rights Clause,” Rhetoric and Public Affairs, 6:1 (Spring, 2003): 97-126.

 

Picart, C.J.S. and Frank, D. “The Holocaust as Horror-Psychological Thriller Film: Working-Through Spielberg's Schindler's List,” Film and History Annual CD ROM, published, 2003.

Picart, C.J.S. “Humor and Horror in Science Fiction and Comedic Frankenstein Films,” Scope, May 2004.

Picart, C.J.S. and Greek, C. “The Compulsions of Serial Killers as Vampires: Toward a Gothic Criminology,” Journal of Criminal Justice and Popular Culture, 10: 1, Winter 2003.

Picart, C.J.S. and Gergen, K. and photos by Zullinger, C. “Dharma Dancing: Ballroom Dance and the Relational Order,” Qualitative Inquiry, 10:6, December 2004.

Picart, C.J.S. “Hybrid Genres and Inverse Parthenogenetic Myths: Horror and Humor in Alien Resurrection,” Communication and Critical/Cultural Studies, 1.4, December 2004.

Picart, C.J.S. and McKahan, J.G. “Sadomasochism, Sexual Torture, and the Holocaust Film: From Misogyny to Homoeroticism and Homophobia in Apt Pupil,” Jump Cut, volume 45, September, 2002.

Picart, Caroline J.S. “Dancing Through Different Worlds: Virtual Emotions and the Gendered Body in Ballroom Dance,” Qualitative Inquiry, June, 2002.

Picart, Caroline J.S. “Visualizing the Monstrous in Frankenstein Films,” Pacific Coast Philology 35 (September 2000): 17-34.

Entry on Frankenstein Resource List 1
Entry on Frankenstein Resource List 2 (PDF FILE)

 

Picart, Caroline J. S. “James Whale's (Mis)Reading of Mary Shelley's Frankenstein,” Critical Studies in Mass Communication  15 (December, 1998):  382-404.

Review: http://www.wsu.edu/~brians/science_fiction/sffilmbib.htm

 

Picart, Caroline J.S., “Remembering Within Remembering in Husserl and Magritte,”  Philosophy Today 41 (1997):  118-126. (Chosen as one of the ten best essays in the 1996 SPEP Conference)

Review: http://www.springerlink.com/content/q3227054u5268516/...

 

Picart, Caroline J. S.  “Classical and Romantic Mythology in  the (Re)Birthing of Zarathustra,” Journal of  Nietzsche Studies 12 (Autumn 1996):  40-68.

Picart, Caroline J. S.  “Nietzsche as Masked Romantic.” Journal of Aesthetics and Art Criticism, 55 (1997): 273-292.

Picart, Caroline J.S.  “Blurring Boundaries:  A Reply to Fadlon and Lewin-Epstein.” (Invited reply).  Social Studies of Science, 27 (1997):  142-146.

Picart, Caroline J. S.  “Metaphysics in Gaston Bachelard´s `Rêverie.´” Human Studies:  A Journal for Philosophy and the Social Sciences, 20 (1997):  59-73.

Picart, Caroline J. S. “Scientific Controversy as Farce: The Benveniste-Maddox  Counter-Trials,”  Social Studies of Science 24 (1994): 7-37.

Citation: http://72.14.209.104/search?q=cache:KBrfQQ-6BM0J:www.attw.org...

 

Invited Articles:

Picart, C.J.S., “Ripley as Interstitial Character: White Woman as Monster and Hero in Alien Resurrection.” p.o.v., A Danish Journal of Film Studies, No. 16, December 2003, pp. 26-41.

 

Scientific Articles:

Keynes, R.J., Johnson, A.R., Picart, C.J., Dunin-Borkowski, O.M., and Cook, G.M.W.  “A Growth Cone Collapsing Activity in Chicken Gray Matter.”  Annals of the New York Academy of Sciences. Volume 633.  Glial-Neuronal Interaction; Conference, Cambridge, England, U.K., September 4-7, 1990, XXII, 1991, 562.

Keynes, R.J., Johnson, A.R., Picart, C.J., Dunin-Borkowski, O.M., and Cook, G.M.W. “A Glycoprotein Fraction from Adult Chicken Gray Matter Causes Collapse of CNS and PNS Growth Cones In Vitro.” 20th Annual Meeting of the Society for Neuroscience.  St. Louis Missouri U.S.A.  October 28-November 2, 1990.  Society for Neuroscience Abstracts 16, 1 (1990):  169.

 

Conference Proceedings:

Picart, C.J. S. “Teaching and Technology Apprenticeships in Philosophy and the Humanities,” Conference Proceedings of the 19th International Conference on Technology and Education, Florida State University, May 2-5, 2001.

 

Encyclopedia Entries:

1.  Caroline J.S. Picart, “Frankenstein (1931).” In Graphic Horror: Movie Monster Memories. Ed. John Edgar Browning. Foreword David J. Skal. Afterword Chelsea Quinn Yarbro. Atglen, PA: Schiffer Books, July 2012. (purchase on Amazon.)

2.  Caroline J.S. Picart, “Bride of Frankenstein (1935).” In Graphic Horrors: Movie Monster Memories. Ed. John Edgar Browning. Foreword David J. Skal. Afterword Chelsea Quinn Yarbro. Atglen, PA: Schiffer Books, July 2012.

3.  Caroline J.S. Picart, “The Ghost of Frankenstein (1942).” In Graphic Horrors: Movie Monster Memories. Ed. John Edgar Browning. Foreword David J. Skal. Afterword Chelsea Quinn Yarbro. Atglen, PA: Schiffer Books, July 2012.

4.  Caroline J.S. Picart, “The Curse of Frankenstein (1957).” In Graphic Horrors: Movie Monster Memories. Ed. John Edgar Browning. Foreword David J. Skal. Afterword Chelsea Quinn Yarbro. Atglen, PA: Schiffer Books, July 2012.

5.  Caroline J.S. Picart, “Frankenstein 1970 (1958).” In Graphic Horrors: Movie Monster Memories. Ed. John Edgar Browning. Foreword David J. Skal. Afterword Chelsea Quinn Yarbro. Atglen, PA: Schiffer Books, July 2012.

6.  Caroline J.S. Picart, “The Revenge of Frankenstein (1958).” In Graphic Horrors: Movie Monster Memories. Ed. John Edgar Browning. Foreword David J. Skal. Afterword Chelsea Quinn Yarbro. Atglen, PA: Schiffer Books, July 2012.

7.  Caroline J.S. Picart, “The Evil of Frankenstein (1964).” In Graphic Horrors: Movie Monster Memories. Ed. John Edgar Browning. Foreword David J. Skal. Afterword Chelsea Quinn Yarbro. Atglen, PA: Schiffer Books, expected 2011.

8.  Caroline J.S. Picart,“Frankenstein Created Woman (1967).” In Graphic Horrors: Movie Monster Memories. Ed. John Edgar Browning. Foreword David J. Skal. Afterword Chelsea Quinn Yarbro. Atglen, PA: Schiffer Books, July 2012.

9.  Caroline J.S. Picart, “Frankenstein and the Monster from Hell (1974).” In Graphic Horrors: Movie Monster Memories. Ed. John Edgar Browning. Foreword David J. Skal. Afterword Chelsea Quinn Yarbro. Atglen, PA: Schiffer Books, July 2012.

10.  Caroline J.S. Picart, “Mary Shelley’s Frankenstein (1994).” In Graphic Horrors: Movie Monster Memories. Ed. John Edgar Browning. Foreword David J. Skal. Afterword Chelsea Quinn Yarbro. Atglen, PA: Schiffer Books, July 2012.

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