ENG4938 - Syllabus
ENG4938 - Timeline
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ENG4938 - Slides
ENG4938 - Clips
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ENG4938 - Staff
ENG4938 - Resources
 

Slides

Links to PowerPoint presentations related to course content. Student Edition study guides are freely accessible throughout the semester. Teacher Edition presentations, however, are password protected and are accessible at specifc times during the semester. User names and passwords will be provided by your instructor.

Note: Due to the visual nature of this course, several presentations contain numerous images resulting in large file sizes that may take several minutes to download. For your convenience, files sizes are listed in the far right column.

Student Edition Study Guides
Week 1

Susanne Langer: Virtual Powers & the Magic Circle

Andre Levinson: The Idea of the Dance ...

 

Week2

Dancing through Different Worlds
Sally Peters: From Eroticism to Transcendence ... A

Sally Peters: From Eroticism to Transcendence ... B

 

Week 3

Peter Brooks: What is a Monster?

Romanticism & Mary Shelley's Frankenstein

 

Week 4

I. Nelson Goodman: Languages of Art A
David Michael Levin: Philosophers and the Dance A
Goodman and Levin: Languages and Philosophers B

Gerald Jonas': The Power of Dance
Francis Sparshott: Why Philosophy Neglects the Dance
Sparshott and Jonas: Power and Philosophy

Kermode: Poet and Dancer: Before Diaghilev

II. Marshall Cohen: Primitivism, Modernism, & Dance Theory A
Heinrich von Kleist: Puppet Theatre A
Cohen and Kleist: Primitivism and Puppet Theatre B

Cohen and Kleist: Primitivism, Modernism, & Dance Theory

Artistic Transformation within the Ballet

Week 5

I. Eric Bentley: Martha Graham's Journey A
Bentley: Martha Graham's Journey B

Bentley: Martha Graham's Journey C

Sylvie Fortin: Somatics a Tool for Empowering ... A
Fortin: Somatics a Tool for Empowering B

Richard Wagner: The Art-Work of the Future

Richard Wagner: The Art-Work of the Future

II. Marques and Lomas: Art/Community and Dance Education B

Lomas: Art and Community: Breaking the Aesthetic of Disempowerment 1

Lomas: Art and the Community: Breaking the Aesthetic of Disempowerment 2

Isabel Marques: Pop Lecture: Dance Education ... A

Isabel Marques: Dance Education in/and the Postmodern


Week 6

I. Constant Lambert: Music and Action A

Constant Lambert: Music and Action B
Theodore Reff: Edgar Degas and the Dance A

Theodore Reff: Edgar Degas and the Dance B

II. Gerald Jonas': Dance of the Realm
Gerald Jonas': Lord of the Dance

Jones: Lord of the Dance

III. The Naked and the Nude

Smith: Authoritarianism and Dance

Berger: Ways of Seeing Women

Clark: The Naked and the Nude

Week 7

I. Peter Brooks: Nana at Last Unveil'd? A
Brooks: Nana at Last Unveil'd B

Brooks: Invasions of Privacy

Emile Zola: Nana

II. Peter Brooks: Gauguin's Tahitian Body

 
Week 8

I. Romeo and Juliet, Dance, Film and Gender A
Romeo and Juliet, Dance, Film and Gender B

Shakespeare: Romeo and Juliet: Stage, Film, and Dance A

 

II. The Body, Gender, and Dance within ... The Tempest

Shakespeare: The Tempest

Peter Greenaway's adaptation of The Tempest (Prospero's Books)

III. Martha Graham: Movement Never Lies

 

Week 9

 

 

 

 

Cunningham: Expectation and Performance
Katherine Everett Gilbert: Mind and Medium ...

Gerlad Jones: Classical Dance Theater

Cohen: Reflections on Dance and Dancing

Copeland: Merce Cunningham and the Politics of Perception

Gilbert: Mind and Medium in Modern Dance

Duncan: What is Dance?

 

Spring Break

 

Week 11

I. Gerald Jonas: Social Dance
Gerald Jonas and Robin Collingwood: Social Dance and Languages A

Gerald Jonas and Robin Collingwood: Social Dance and Languages B

Sophocles: Antigone

Margolis & Hall: Art as a Language & Dance Notation and Chronology

Fernau Hall: Dance Notation and Choreology
Ruth Katz: Egalitarian Waltz A
Ruth Katz: The Egalitarian Waltz B

Ruth Katz: The Egalitarian Waltz C

Joann Kealiinohomoku: An Anthropologist Looks A...

Kealinihomoku: An Anthropologist Looks at Ballet B

Week 12

I. Susan Kozel: The Story is Told as a History of the Body A

Susan Kozel: The Story is Told as a History of the Body B

Susan Manning: The Female Dancer and the Male Gaze A

 

Manning: The Female Dancer and the Male Gaze

Janet Wolff: Reinstating Corporeality ... A
Janet Wolff: Reinstating Corporeality ... B

Janet Wolff: Reinstating Corporeality C

II. Evan Alderson: Ballet as Ideology

Evan Alderson: Ballet as Ideology

 

Week 13

I. Amy Koritz: Dancing the Orient for England ...A
Amy Koritz: Dancing the Orient for England B

Amy Koritz: Dancing the Orient for England

Cynthia J.C. Bull: Sense, Meaning, and Perception A

Ramsey: Voodoo, Nationalism, and Performance

II. Randy Martin: Dance Ethnography and the Limits A
Randy Martin: Dance Ethnography and the Limits B

Week 14

I. Sheryl Davis & George Santora: Beloved A
Morrison: Beloved (novel)
Beloved: the movie

Morrison: Beloved

II. Trinh Minh-ha: When the Moon Waxes Red
Trinh Minh-ha: Woman, Native, Other
Trinh Minh-ha: Cotton and Iron

Minh-Ha: Cotton and Iron

Minh-Ha: Outside in Inside Out

Week 15

I. Ann Cooper Albright: Auto-Body Stories

Sondra Stamey Sluder: Her Story

Julie Taylor: Paper Tangos A

 

 

 

Week 16

Last Week of Class

 

 
Teacher Edition Presentations - password protected
Week 1

Susanne Langer: Virtual Powers & the Magic Circle
Andre Levinson: The Idea of the Dance ...

 

 
Week 2

Sally Peters: From Eroticism to Transcendence ...A

Sally Peters: From Eroticism to Transcendence B


Week 3

Peter Brooks: What is a Monster?

Romanticism & Mary Shelley's Frankenstein

 

 
Week 4

I. Nelson Goodman: Languages of Art
David Michael Levin: Philosophers and the Dance
Goodman and Levin: Languages and Philosophers B

Kermode: Poet and Dancer: Before Diaghilev

Francis Sparshott: Why Philosophy Neglects the Dance
Gerald Jonas': The Power of Dance
Sparshott and Jonas: Philosophy and Power B

II. Marshall Cohen and Heinrich von Kleist: Primitivism and Pupper Theatre

Cohen and Kleist: Primitivism, Modernism, & Dance Theory

Week 5

I. Eric Bentley: Martha Graham's Journey A
Eric Bentley: Martha Graham's Journey B

Bentley: Martha Graham's Journey C

Sylvie Fortin: Somatics: A Tool for Empowering

Richard Wagner: The Art-Work of the Future A

Richard Wagner: The Art-Work of the Future B

II. Christine Lomas and Isabel Marques: Art/Community and Dance Education

Lomas: Art and Community: Breaking the Aesthetic of Disempowerment 1

Lomas: Art and the Community: Breaking the Aesthetic of Disempowerment 2

Isabel Marques: Pop Lecture: Dance Education

Isabel Marques: Dance Education in/and the Postmodern


Week 6

I. Constant Lambert: Music and Action A

Constant Lambert: Music and Action B

Theodore Reff: Edgar Degas and the Dance

II. Gerald Jonas': Dance of the Realm
Gerald Jonas': Lord of the Dance

Jones: Lord of the Dance

III. Ways of Seeing Women
The Naked and the Nude

Berger: Ways of Seeing Women

Smith: Authoritarianism and Dance

Clark: The Naked and the Nude

Week 7

I. Brooks: Nana at Last Unveil'd

Brooks: Invasions of Privacy

Emile Zola: Nana

II. Peter Brooks: Gauguin's Tahitian Body

 
Week 8

I. Romeo and Juliet: (movie)

Shakespeare: Romeo and Juliet: Stage, Film, and Dance

II. Peter Greenaway's adaptation of The Tempest (Prospero's Books)

Shakespeare: The Tempest

 

 

Week 9

 

 

 

 

 

 

Week 10

 

 

 

Cunningham: Expectation and Performance
Katherine Everett Gilbert: Mind and Medium ...

Gerlad Jones: Classical Dance Theater

Cohen: Reflections on Dance and Dancing

Copeland: Merce Cunningham and the Politics of Perception

Gilbert: Mind and Medium in Modern Dance

Duncan: What is Dance?

 

 

Spring Break

 

Week 11

I. Fernau Hall: Dance Notation and Choreology

Sophocles: Antigone
Robin Collingwood: Language and Languages
Joseph Margolis: Art as Language

Margolis & Hall: Art as a Language & Dance Notation and Chronology

II. Ruth Katz: The Egalitarian Waltz A
Ruth Katz: The Egalitarian Waltz B

Ruth Katz: The Egalitarian Waltz C

Kealinihomoku: An Anthropologist Looks at Ballet

Week 12

I. Janet Wolff: Reinstating Corporeality

Janet Wolff: Reinstating Corporeality

Susan Kozel: The Story is Told as a History of the Body

Manning: The Female Dancer and the Male Gaze

II. Evan Alderson: Ballet as Ideology A

Evan Alderson: Ballet as Ideology B

 
Week 13

I. Amy Koritz: Dancing the Orient for England

Amy Koritz: Dancing the Orient for England

Cynthia Jean Cohen Bull: Sense, Meaning and Perception

II. Randy Martin and Kate Ramsey: Dance Ethnography and Staging of Folklore

Ramsey: Voodoo, Nationalism, and Performance

 

 
Week 14

I. Morrison: Beloved (novel)

Beloved: (Movie)

Morrison: Beloved

II. Trinh Minh-ha: Woman, Native, Other

Trinh Minh-ha: Cotton and Iron

Minh-Ha: Cotton and Iron

Minh-Ha: Outside in Inside Out

 

Week 15

I. Ann Cooper Albright: Auto-Body Stories

Sondra Stamey Sluder: Her Story

II. Julie Taylor: Paper Tangos A
Julie Taylor: Paper Tangos B

 

 

 

 

Week 16

Last Week of Class

 

 
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