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Timeline - Spring
Week
1
(Jan 5-7)
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Topic
One: Introduction to: What Is Dance?
Introduction
to the Course and tech training.
Susanne K.
Langer, "Virtual Powers" and "The Magic Circle,"
WD, pp. 28-36
Andre Levinson,
"The Idea of Dance: From Aristotle to Mallarme," WD,
pp. 47-54
Dance Exercises
on the Foxtrot
Technological
Exercises: Get to know the functions of BB and Powerpoint; preparatory
exercises for Week 2 will be posted.
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Week
2
(Jan 10-14)
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Topic Two:
Introduction to: Issues of Embodiment and the Gaze in Relation to
Dance
Dr. Picart will be gone on
a professional engagement on January 13; all lecture materials will
be discussed on Tuesday, January 11.
Sign
up for reporting slots.
Picart, Caroline
J.S. "Dancing Through Different Worlds: Virtual Emotions
and the Gendered Body in Ballroom Dance," Qualitative
Inquiry, June, 2002
Picart, C.J.S.
and Gergen, K. and photos by Zullinger, C. "Dharma Dancing:
Ballroom Dance and the Relational Order," Qualitative
Inquiry, 10:6, December 2004.
To see latest
dance exhibitions: http://english.fsu.edu/picart
Sally Peters,
"From Eroticism to Transcendence: Ballroom Dance and the
Female Body," Laurence Goldstein, ed. The Female Body: Figures,
Styles, Speculations, University of Michigan Press, 1994.
Dance Exercises
on the Single Swing
Technological
Exercise: An in-class powerpoint quiz will be given, which substitutes
for the weekly threaded conversation.
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Week
3
(Jan 17-21)
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Topic
Three: Introduction to Dance in Relation to Literature and Film
Jan. 17- Martin Luther King
Jr. Day- No Class
Mary Shelley,
Frankenstein (Excerpted)
Peter Brooks,
"What is a Monster (According to Frankenstein)?, BW, pp.
199-220.
Video: Mary
Shelley's Frankenstein
Dance Exercises
on the Waltz
Technological
Exercise: First Threaded Conversation occurs from January 23-24
(midnight)
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Week
4
(Jan 24-28)
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Topic Four:
Dance as a Symbolic System and Its Limits
Session
1:
Nelson Goodman,
"Modes of Symbolization" and "Afterword,"
WD, pp. 66-84
David Michael
Levin, "Philosophers and the Dance," WD, pp. 85-94
Francis Sparshott,
"Why Philosophy Neglects the Dance," WD, pp. 94-102
Gerald Jonas,
"The Power of Dance," DPPM, pp. 12-35
Dr. Picart
will lecture.
Dance Exercises
on the Rumba.
Session
2:
Group
reports begin.
David Michael
Levin, "Balanchine's Formalism," WD, pp. 123-144.
Frank
Kermode, "Poet and Dancer Before Diaghilev," WD, pp.
145-160. (2
slots)
Victoria Bell and Stephanie Peck
Marshall
Cohen, "Primitivism, Modernism and Dance Theory," WD,
pp. 161-177.
Heinrich
von Kleist, "Puppet Theatre," WD, pp. 178-184.
(2 slots)
Lindsay
Kaufman and Lauren Garcia
Dance Exercises
on the Rumba; Excerpts from Balanchine Ballets.
An in-class
powerpoint quiz will be given within this week, which will substitute
for threaded conversations.
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Week
5
(Jan 31-Feb
4) [top]
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Topic Five:
Dance, the Mind-Body Connection, Modernity and Postmodernity
Session
1:
Richard Wagner,
"The Art-Work of the Future," WD, pp. 191-196
Liam Julian
and Jessica Jernandez
Eric Bentley,
"Martha Graham's Journey," WD, pp. 197-202
Sylvie Fortin,
"Somatics: A Tool for Empowering Modern Dance Teachers,"
DPD, pp. 49-74. (2
slots)
Natalie
Bourcier and Andrew Elder
Dr. Picart
will lecture.
Dance Exercises
on the Merengue; Excerpts from Martha Graham Dances.
Session
2:
Christine
Lomas, "Art and the Community: Breaking the Aesthetic of
Disempowerment," DPD, pp. 149-170. (2
slots)
Isabel Marques,
"Dance Education in/and the Postmodern," DPD, pp. 171-185.
(2
slots)
Jeanna
Pierson and Shannon Sprentall
Dance Exercises
on the Merengue; Excerpts from Dirty Dancing
An in-class
powerpoint quiz will be given this week, which will substitute for
threaded conversations.
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Week
6
(Feb 7-11)
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Topic Six:
Dance as a Visual Art: The Politics of the Gaze and Embodiment in
Relation to Gender and Culture
Session
1:
Constant
Lambert, "Music and Action," WD, pp. 203-209
Theodore Reff, "Edgar Degas and the Dance," WD, pp.
217-224. (1
slot)
Jackeline
Hernandez and Kasey Clark
Gerald Jonas,
"Lord of the Dance," DPPM, pp. 36-69
Gerald Jonas,
"Dance of the Realm," DPPM, pp. 70-109
Mark Hofmeyer
and John Anderson
Dr. Picart
will lecture.
Dance Exercises
on the Tango
Session
2:
Kenneth Clark,
"The Naked and the Nude," PVA, pp. 205-215
John Berger,
"Ways of Seeing Women," PVA, pp. 248-259
Byron
Boldrini and Alex Hess
Dr. Picart
will lecture.
Clyde Smith,
"On Authoritarianism in the Dance Classroom," DPD, pp.
123-148
Michel Foucault,
Discipline and Punish (Excerpted)
Jennifer
Pryor and Katie McClellan
Dr. Picart
will lecture.
Dance Exercises
on the Tango, Excerpts from DreamworldsII
An in-class
powerpoint quiz will be given this week, which will substitute for
threaded conversations.
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Week
7
(Feb 14-18)
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Topic
Seven: Literature, Painting and the Body in Relation to Dance
Session
1:
Individual
Reports Begin.
Peter Brooks,
"Nana at Last Unveil'd? Problems of the Modern Nude,"
BW, pp. 123-161
Emile Zola,
Nana (1
slot)
Andrew
Pangle and Garrett Johnson
Dance Exercises
on the Salsa/Mambo
Session
2:
Peter Brooks,
"Gauguin's Tahitian Body," BW, pp. 162-198
Peter Brooks,
"Invasions of Privacy: The Body in the Novel," pp. 28-53
Georgia
Grove (?), Michelle Depozsgay and Joe Hall
Dance Exercises
on the Salsa/Mambo
I will be away
on a conference; threaded conversation will substitute for the in-class
session; extra time should be spent working on your drafts. No report
will be done.
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Week
8
(Feb 21-25)
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Session 1:
Shakespeare, Romeo and Juliet (Excerpted)
Romeo and Juliet, the movie (Zeffirelli version) and the ballet,
featuring Nureyev and Fonteyne (1
slot)
Cassie
Casiano
Dance Exercises on the Waltz (II)
Session 2:
Shakespeare, The Tempest (excerpted)
Peter Greenaway's adaptation of The Tempest (Prospero's Books).
(1
slot)
Prenya Rajendran and Stephanie Welcher
Dance Exercises on the Waltz (II)
Because your draft is due shortly, the threaded conversation is
canceled; use the time to work on that drafts.
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Week
9
(Feb 28-Mar
4) [top]
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Topic
Eight: Genre, Style and Dance Criticism
Drafts
are due on March 4, 12 noon at Williams 405; have them sign, date
and time the receipt. NO late papers will be accepted.
Session
1:
Gerald Jonas,
"Classical Dance Theatre," DPPM, pp. 128-163
Isadora Duncan,
"The Dance of the Future;" "I See American Dancing;"
"Richard Wagner," WD, pp. 262-267
Francesca
San Roman and Drew Giles
Dr. Picart
will lecture.
Katherine
Everett Gilbert, "Mind and Medium in the Modern Dance,"
WD, pp. 289-304
Roger Copeland,
"Merce Cunningham and the Politics of Perception," WD,
pp. 307-324
Victoria
Bell and Liam Julian
Dr. Picart
will lecture.
Dance Exercises
on the Triple Swing; Excerpts from Merce Cunningham's "Points
in Space"; possible excerpts on Isadora Duncan and Martha Graham
Session
2:
Selma Jeanne
Cohen, "Reflections on Dance and Dances: Problems of Definition,"
WD, pp. 339-353
Lincoln Kerstein,
"Classic and Romantic Ballet," WD, pp. 364-366
Natalie
Bourcier and Andrew Elder
Andre Levinson,
"The Art and Meaning of Isadora Duncan," WD, pp. 438-444
Deborah Jowitt,
"Monumental Martha," WD, pp. 456-458
Gerald Jonas, "Modernizing Dance," DPPM, pp. 190-237
Byron
Boldrini and Alex Hess
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Week
10
(Mar 7-11)
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Spring
Break - no classes
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Week
11
(Mar 14-18)
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On March 18,
6-9 p.m., Dr. Picart will have a performance-exhibition, with other
performance and visual artists at Gallery 621 at Railroad Square.
You are invited to come. Attendance will not be checked this is
purely voluntary. http://www.lenaphotography.com/bodies_in_motion.htm
Topic Nine:
Dance as a Social, Political and Linguistic Phenomenon
Session
1:
Gerald Jonas,
"Social Dance," DPPM, pp. 108-127
Robin Collingwood, "Language and Languages," WD, pp.
371-375 (1
slot)
Joseph Margolis,
"Art as Language," WD, pp. 376-389
Fernau Hall, "Dance Notation and Choreology," WD, pp.
390-398
Lauren Garcia and Lindsay Kaufman
Dr. Picart
will lecture.
Dance Exercises
on the Foxtrot (II); Excerpts from Ballroom Competitions
Session
2:
Ruth Katz,
"The Egalitarian Waltz," WD, pp. 521-532
Joann Kealiinohomoku,
"An Anthropologist Looks at Ballet as a form of Ethnic Dance,"
WD, pp. 533-549
Garrett
Johnson and Katie McClellan
Dr. P. will
lecture.
Euripides,
Antigone (Excerpted)
Martha Graham's Antigone
Cassie
Casiano
Threaded Conversation
is canceled for this weekend. Use the time to polish your drafts.
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Week
12
(Mar 21-25)
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Topic 10:
Body Politics
Session 1:
Drafts
are due.
The reporters have an extra 24 hours to turn in their papers to
me: the deadline for these reporters is March 22, 11 a.m. at Williams
227 (my office).
Janet Wolff,
"Reinstating Corporeality: Feminism and Body Politics,"
MM, pp. 81-100 (1
slot)
Susan Kozel,
"The Story Is Told as a History of the Body": Strategies
of Mimesis in the Work of Irigaray and Bausch," MM, pp. 101-110
(1
slot)
Jennifer
Pryor and Stephanie Peck
Dance Exercises
on the Chacha; Excerpts from Shall We Dance
Session
2:
Evan Alderson,
"Ballet as Ideology: Giselle, Act 2," MM, pp. 121-132
(1
slot)
Susan Manning,
"The Female Dancer and the Male Gaze," MM, pp. 153-166
(1
slot)
Michelle
Depozsgay and Joe Hall
Dance Exercises
on the Chacha
Excerpts from Strictly Ballroom
Threaded Conversation
on March 27-28 (midnight)
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Week
13
(Mar
28-Apr 1) [top]
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Topic 11:
Race and Colonialism in Relation to Dance
Session
1:
Amy Koritz,
"Dancing the Orient for England: Maud Allan's The Vision
of Salome," MM, pp. 133-152 (1
slot)
Cynthia Jean
Cohen Bull, "Sense, Meaning, and Perception in Three Dance
Cultures," MM, pp. 269-288(1
slot)
Jackeline
Hernandez and Kasey Clark
Dance Exercises
on the Single Swing (II); Excerpts from Swing Kids
Session
2:
Randy Martin,
"Dance Ethnography and the Limits of Representation,"
MM, pp. 321-344 (1
slot)
Kate Ramsey,
"The Staging of Folklore in Mid-Twentieth-Century Haiti,"
MM, pp. 345-378 (1
slot)
Mark Hofmeyer
and John Anderson
Dance Exercises
on the Single Swing (II)
Threaded Conversation
on April 3-4 (midnight)
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Week
14
(Apr 4-8)
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On April 8th, at the International Student
Center at 12:15 p.m., Dr. Picart will co-host and perform on 'Global
Gatherings' "Ballroom with a Twist II." You are invited
to come, but not required. Attendance is purely voluntary.
Session
1:
Morrison,
Beloved (Excerpted)
Beloved,
the movie
Joanna
Pierson and Shannon Sprentall
Dr. Picart
will lecture.
Dance Exercises
on the Triple Swing (II)
Session
2:
Trinh Minh-ha,
"Outside In, Inside Out," and "Cotton and Iron,"
When the Moon Waxes Red, pp. 65-78 and 11-26.
Prenya
Rajendran and Stephanie Welcher
Clips from
Naked Spaces
Dr. Picart
will lecture.
Dance Exercises
on the Triple Swing (II)
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Week
15
(Apr 11-15)
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Topic 12:
Ethnography and Story Telling in Relation to Dance
Session
1:
Ann Cooper
Albright, "Auto-Body Stories: Blondell Bummings and Autobiography
in Dance," MM, 179-206
Sondra Stamey
Sluder, "Her Story," DPD, pp. 97-122
Francesca
San Roman and Drew Giles
Dr. Picart
will lecture.
Dance Exercise
on the Tango (II); Clips from Tango Lesson
An in-class
powerpoint exercise will occur this week, which will substitute
for this week's threaded conversation.
Session
2:
Julie Taylor,
Paper Tangos
Jessica
Hernandez and Andrew Pangle
Clips from
Tango and Forever Tango!
Dr. P. will
lecture.
Dance Exercise
on the Tango (II)
SUSSAI evaluations;
class party; final papers are due.
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Week
16
(Apr 18-22)
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Last day of class (April 22): SIRS/SUSSAI
Evaluations and Self-Evaulations for Attendance and Participation;
Class Party on the 19th;
final papers are due by Friday,
April 22nd, 12 noon Williams 405, the English Department Office. NO
late papers will be accepted. Drafts must be returned together
with the revised versions, with a cover page indicating a bibliography
of "new" and "old" texts, and an abstract; changes
made must be indicated using both boldfaced and underlined text.
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